Life Was Simple presents Krňanský’s work as a field of collapsed geometry — a spatial language in which an original sense of order and precision gradually dissolves into loosened structures and unstable linear forms. His drawings oscillate between construction and entropy, between formal control and a moment of quiet disintegration.

The neomodernist series works with imperfection as a natural condition of expression and activates a visual syntax that resists unambiguous interpretation. David Krňanský does not create images as descriptions of reality; rather, he constructs atmospheric states of presence, movement, and release, in which geometry loses its fixed center while still retaining the memory of its original order.

The works balance between disciplined abstraction and intuitive gesture, functioning as subtle studies of instability — between structure and collapse, restriction and freedom. Within Life Was Simple, the image is not understood as a closed composition, but as an open system: fluid, unfinished, and constantly negotiating its own inner equilibrium.