Glitch didn't originally mean a malfunction, but rather a slippery spot—a point where data slips and immediately recovers. Jan Dyntera and his four-year-old son Gabriel paint in such places: one creates chaos, the other a grid, and in between, the folklore of the digital age emerges. One floor below, in the vault of a former savings bank, the same grid spans twenty meters; it’s called Wall and hides something.

Part I — Hall: Four Hands 

Part II — Vault: Wall / Glitch

With the exhibition More folklore, more!, Kunstfabrik and the Červený Kostelec Municipal Cultural Center are launching a long-term collaboration.

The Municipal Exhibition Hall will occasionally serve as Kunstfabrik’s experimental parallel space — a second venue for alternative exhibition projects that require a different scale, layout, or level of risk than what a standard gallery operation can accommodate. The first such project is this very exhibition, which occupies both floors of the hall, including the vault of the former municipal savings bank in the basement.