Eugen Jindra did not exhibit his work for 86 years. But recently, under the pseudonym Morgenabendtot (tomorrow evening dead) he displayed his iron objects in the center of Prague. Alongside them Professor Kurt Gebauer of the Academy of Arts, Architecture and Design displayed his drawings from the 50s, objects found in nature at the end of the last century, contemporary installations of toilet paper roles and napkin boxes. As part of a joint exhibition, the works of both artists did not merge with one another (perhaps deliberately, perhaps unintentionally). How do they stand invidually? Did Kurt Gebauer introduce anything unexpected? What do the works of Eugen Jindra suggest? We asked the sculptor and artistic blacksmith Petr Císařovský. The interview Art is neither Design nor Construction and panoramatic photos from the exhibition which took place in the nicely renovated house on the Smetana Embankment in the Gallery Cermak Eisenkraft can be found here.